Can Saying No Lead to More Creativity?

I first heard of Kevin Ashton in the radio frequency identification industry long ago when I had a career in the semiconductor industry. And now that I am pursuing a creative path as an oil painter, I read with much interest his recent article titled: Creative People Say No.   As a nascent artist and oil painter working to understand the creative process and always feeling too busy, I thought I would pass along this jewel of wisdom about saying ‘no’. Let highlight three key take-aways. For Kevin Ashton’s article, see http://www.businessinsider.com/successful-creative-people-say-no-2015-1. “Creative People Say No” is an extract from Kevin Ashton’s new book, “How to Fly a Horse — The Secret History of Creation, Invention, and Discovery,”

Saying no to free up more time for your passionate work has always me a challenge for me. A Hungarian psychology professor performing research on famous creative people encountered many declines to his invitation and many people said “no.” For example, according to Ashton:

  • Management writer Peter Drucker: “One of the secrets of productivity (in which I believe whereas I do not believe in creativity) is to have a VERY BIG waste paper basket to take care of ALL invitations such as yours — productivity in my experience consists of NOT doing anything that helps the work of other people but to spend all one’s time on the work the Good Lord has fitted one to do, and to do well.”
    Secretary to novelist Saul Bellow: “Mr. Bellow informed me that he remains creative in the second half of life, at least in part, because he does not allow himself to be a part of other people’s ‘studies.’ ”
  • Photographer Richard Avedon: “Sorry — too little time left.”
  • I needed help saying no. About five years ago, I asked a very busy business executive to speak at a local event. She said no in a very polite manner through e-mail. She told me: “Thank you very much for reaching out. Unfortunately, for the foreseeable future, my days are already overcommitted with my existing travel and meeting schedule. In good conscience, I just cannot take on another commitment and give it the attention it deserves. I hope you will understand.” I kept her note and use portions of it often when I say ‘no’.

The second key point in Ashton’s article is that Time is the raw material of creation. Time over target matters: “the work of becoming expert through study and practice, the work of finding solutions to problems and problems with those solutions, the work of trial and error, the work of thinking and perfecting, the work of creating. Creating consumes. It is all day, every day. It knows neither weekends nor vacations. It is not when we feel like it. It is habit, compulsion, obsession, vocation. The common thread that links creators is how they spend their time. No matter what you read, no matter what they claim, nearly all creators spend nearly all their time on the work of creation. There are few overnight successes and many up-all-night successes.”

Perspiration and inspiration may have a lot to do with creativity; however, we need to have the time to do the work. Ashton reminds us “Saying “no” has more creative power than ideas, insights and talent combined. The math of time is simple: you have less than you think and need more than you know. We are not taught to say “no.” We are taught not to say “no.” “No” is rude. “No” is a rebuff, a rebuttal, a minor act of verbal violence. “No” is for drugs and strangers with candy.”

The big lesson here is the opportunity cost of not concentrating on your passionate, creative work. How much less creative work will be done because they are distracted on indirect tasks.  Time is the scarce resource for each of us. Our time is already demanded by many things. Daily mandatory life tasks like buying groceries, doing laundry, and family all need our attention and time. Being ‘on task’ means more to creative types who feel the pain of opportunities lost.

People who create dislike intensely the common question: How long did it take to you make that? Why is this question dreaded? Because all the days they have spent on their craft since they started led to this object of creativity. Their entire career led to this moment. It cannot be measured in hours.

Cultural conditioning and societal pressures have made us more likely to say ‘yes’ to requests for our time.  As Ashton observed: “No” makes us aloof, boring, impolite, unfriendly, selfish, anti-social, uncaring, lonely and an arsenal of other insults. But “no” is the button that keeps us on.
Learn to say no more often and spend more time on the work you love. The payoff will be more sustained creativity, a sense of fulfillment and more satisfaction with time spent.

2016 Upcoming Exhibits

Thank you for joining me on my art path. My art path includes studio practice, also education and exhibiting as well. In December and January I spent time preparing a portfolio and applying to the SMU Meadows School of Art, after receiving my Associates in Art degree from Brookhaven College in May, 2015. I was accepted into the SMU Meadows’ Bachelors of Fine Art program on January 11, 2016. Classes started shortly thereafter. This Spring I am enrolled in two SMU classes with Professor Mary Vernon including color theory and visual narrative. These classes include homework and intense sketchbook work using painting, drawing or collage. More studio time is needed on this painter’s calendar!
There’s a social side to painting that includes hosting studio visits and meeting with others who anticipate art in their future as they transition out of their corporate roles. This month, there were several discussions about the path, alternatives to getting started and art education resources in the Dallas metroplex.

 

January was also spent organizing and submitting proposals for two art exhibits in regional institutions. Happy to report that I will be in two very special small group (3 artist) month-long exhibits this year:
– in July at Cedar Valley College in Lancaster, TX and
– in October at Eisemann Performance Center in Richardson, TX.
So thankful for these opportunities. More info as we get closer to the dates and an invitation to the receptions will follow. It’s been a good start to an exciting year.

New Year; New Outlook

Reflecting on 2015, I am grateful for many positive and constructive growth experiences in my art work. There are teachers to thank and several milestones to be celebrated as well.

 

First and foremost, thank you to Prof. Murielle White, Brookhaven College (http://www.crisworley.com/murielle-white/)  and Prof. Mary Vernon, SMU (http://www.maryvernon.com/) for two outstanding Fall 2015 painting classes. You have seen the results of my efforts . Thanks to Suzanne Clark (http://www.suzannekelleyclark.com/) for your balanced feedback and critiques. I enjoyed being stretched and now I appreciate more nuances about color, creating space in a landscape and subtlety of grays.

 

Second, looking back I am grateful for the art fundamentals and the foundation I learned at Brookhaven College, from drawing, 2-D and 3-D design to printmaking and painting. In December, I submitted my portfolio and applied to be accepted into the SMU Meadows Fine Art (http://www.smu.edu/meadows)  four-year program as a transfer student from Brookhaven, after completing my Associates in Arts degree in May. On January 11, 2016 I was accepted for admission! I look forward to  continuing to study art in a four-year curriculum, pursue oil painting and stretch my own art expression.

 

Next, I am grateful to two women artists who invited me to share their leased art studio and have my first studio experience, outside my home or classroom on campus. What a thrill! What a breakthrough! In September, 2015, I decided to go it alone and lease my own 500 sq. ft. studio in the Dallas Design District, after a much appreciated introduction by one of my professors to the studio lease opportunity. Please come visit my Dallas studio in 2016! It’s a great place to work.

 

Last, and not least, I appreciate Ted Houston (http://www.tedhoustonart.com/), a former colleague at Texas Instruments and fellow student at Brookhaven College, who agreed to join me in two-person exhibits in public venues. It had been a goal of mine to get my art out into the public in 2015 in a small group show format. We had two exhibits in 2015 together. This year, 2016, we hope to again bring you a couple small group exhibits in outstanding locations.

 

It’s time to say good bye to 2015 and hello to many opportunities in 2016. Time to stretch my wings and explore the edges, without boundaries. Art destination travel is also on the docket including two trips to New York City, one to Santa Fe and Denver. This year my intention is to focus on landscapes and abstraction, building off the momentum from the end of 2015. Happy Trails and Happy Painting!

Please Join Us… December 3, 5-7pm

Art Open House Reception and Meet The Artists

 

You’re Invited to view works of art by local artists Julie England and Ted Houston

 

Thursday, December 3rd 2015 from 5:00pm – 7:00pm
Parker University School of Massage Therapy

 

                2560 Electronic Lane, Dallas, TX 75220

 

 Light beverages and snacks will be served.  Please join us!

New Work Space; New Art Studio

A new work space can bring new energy to any activity. This week I moved into a new art studio built for artists in the Dallas Design District. It is a single story building that was a gallery space and was converted into art studio spaces. All the occupants are artists and this space is all about art.
It’s a real treat to be in an industrial or commercial space designed for art; in contrast to a residential space converted into an art work space in my home or in a loft I rented. The new space has a mixture of natural, incandescent and fluorescent light. There is more wall space than my last studio space and it is more conducive to hosting a private showing or small reception. It feels like a small gallery space.
My new, shorter commute to my studio takes me through the Dallas Design District near downtown Dallas and past numerous art galleries. This trek will entice me to visit the galleries more often and stay in touch with the Dallas art scene and exhibitions. The commute makes it convenient for dropping into a gallery each month as their art exhibits change.
There is a creative vibe and a sense of artistic community that comes with being in a building full of artists. I know some of these folks already and some I have yet to meet and get to know; looking forward to our paths crossing as we spend time in studio over a coffee break conversation. I am energized by the new physical space, work environment and new art community. Can’t wait to start painting and get to work! Come on down for a visit soon.

A Word of Appreciation: 8/8/15

Our website has drawn in thousands. Thank you to our global visitors!  I appreciate you. In addition, this is another good year of selling pieces of art. See the gallery called In Private Collections to see what has sold.

We have had over 30,000 visitors so far. Thank you!  Our visitors are from countries around the globe. You are from 12 different countries and 35% of our visitors return again to view this site. Julie England Art posts go global!

Please take another look each month for new art that has been posted to the site . Or sign the Guestbook and receive a monthly reminder e-mail. Let’s stay in touch.

Fairchild & Co. Jewelry in Santa Fe, NM

Two of my favorite things: jewelry and art! They go together so well in one of my favorite cities: Santa Fe, NM.

There is a new piece of art work on display and available for purchase at Fairchild & Co. jewelry store in Santa Fe, NM. If you visit Santa Fe later this year, please drop in to give it a look.

Saturday Afternoon
Oil on Canvas, framed
36 x 30 inches
2014

https://www.fairchildjewelry.com/

Located off the plaza in Santa Fe, NM

110 W. San Francisco Street
Santa Fe, NM 87501

Store Hours:
Monday – Saturday: 10 – 5
Sunday:  11 – 5

Phone Number:
505-984-2039
800-773-8123

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My blog is capturing the journey from corporate refugee through the paces of studying art, oil painting and selling paintings in the market. Come explore the path with me.

Graduation – A Passage

I’m now an enthusiastic advocate of community college; especially for folks like me who entered a new life passage and wanted to try something new. Oil painting and drawing pulls on me with a lot of affinity and good vibes. I found a place to dip my toe in the water in 2011 and have not looked back. It was a highlight in May to graduate after many years of studying art, especially oil painting and drawing, at Brookhaven College in the Dallas, Texas area. It’s my second career and I used a fine local community college to catch me up on art training that other younger students had learned in four years of high school and at two years at Brookhaven College. The certification of graduation is part demonstrated commitment and part accomplishment.

 

Gail Sheehy, author of New York Times Bestseller, Passages(http://gailsheehy.com/) alerted us to the passages or stages in life and the meanings they have spiritually, socially and physically. Most of all, she got across the point that these passages exist and need to be respected for what they are. We must deal with change. In business we work with change management when major changes must be made in a business. Life is similar, but more subtle in an everyday way. Graduation from college is a passage that I wanted to experience first-hand. I attended my first commencement as a student in 2015; what a joyful experience in a room full of diverse, happy students and their families!

 

The ‘icing on the cake’ in May was the 2015 Juried Art Student Exhibition which culminated in prizes and purchases awards. Brookhaven College has a small budget to purchase art to hang on the walls of its institution. Brookhaven purchased one of my paintings, Left-hand Man; http://www.zhibit.org/julieenglandart/oil-painting-abstracts/my-left-hand-man-after-c-foust

 

It was a compliment to be collected by this institution and be accepted into a unique group of talented artists that the professors have chosen throughout the years.

 

In addition, the ‘cherry on top’ was an Associates of Art Qualifying Exhibition of six Brookhaven College graduates in June. These students are successfully moving on to four-year colleges both in and out of state. Each student had six to ten pieces of art hung professionally on an entire wall or on pedestals of the Forum Gallery. The personality of each painter popped off the wall. It was a real treat to experience the art serenely in a spacious gallery. The visitors to the gallery ranged from potential art buyers to gallery owners to professors from four-year colleges. This was Brookhaven College’s first Associates of Art Qualifying Exhibition and it was successful with a high number of visitors including the last day of the exhibition.

 

It’s time to give credit where it is deserved. Thank you, Brookhaven College, for an outstanding art experience for this corporate refugee. And a special note of gratitude and appreciation to Professors Marla Ziegler, Chong Chu, David Newman, Natalie Macellaio, Julie Shipp and Betsy Belcher. Also, I would like to acknowledge Professor and Art Department Chair, Lisa Ehrlich, for sponsoring the first ever Associates of Art Qualifying Exhibition at Brookhaven College.

Art Priorities and Practice

Karyl Innis posted on PRIME WOMEN.com that “Resolutions just suck. Even the word resolution sounds out of it…old… bound by tradition …and in some cases, the word even has a slightly legal twang to it.” She suggests a coaching technique for personal goal setting “The 1, 2, 4, 10 Plan. It’s one you can implement for yourself. The Plan begins with these ideas:
  • Goals need to be manageable and concrete and public
  • Improvement requires a vivid, step by step path forward.
  • Questions: Ask yourself these 2 questions one at a time.
  • What do I want to do better this quarter?
  • What do I want to be different this quarter from last quarter?”
 See more about Karyl’s advice at https://primewomen.com/2015/01/resolutions-really/
               Building on Ms. Innis’ approach, let’s apply these ideas to art, painting and drawing. Using a quick brainstorming technique, jot down your thoughts about learning more, practicing painting and drawing, seeing art for inspiration in museums, galleries and “getting out there” in the market place by participating in shows, exhibits and social media. Your ideas could be small bites of progress, like one grape at a time. After a year of effort, you will have a bunch of progress! Organize and prioritize the list so the most significant impact ideas are on top. It’s easy to come up with ideas; however, the trick is to prioritize and rank them, and then focus your execution.
               Local universities are a target rich environment for artists. I use art classes at Brookhaven College, Southern Methodist University (Dallas and Taos), various workshops and community studio opportunities to learn more from instructors and peers. Seeing masters’ and professional art work is critical; I jot down museum and gallery visits on my calendar and make it fun by attending with friends. Priortize the most notable art museum in your area and when you travel, add an extra day for museum visits. Make plans for an art museum destination vacation with artist friends. Then, there is my own work in the studio which I block out calendar time for, mostly during daylight hours so that I get good light for painting.
               Segueing from my corporate work habits, the calendar is my best friend for assigning time to my priorities in art, just as in business. I save the documenting of art work, planning and social media blogging time, including my website maintenance and updates, to evenings when I am not in the studio. “Ten minutes a day” mantra for sketching is on my list this year to build a daily habit.
               Karyl also suggests sharing your list with a trusted advisor. Consider hiring a trusted instructor of art that you have good personal chemistry with, is someone you respect and is a good teacher. I hired a former teacher. We meet once a month in my studio for a critique of my current art work, a discussion about studio practice and methods and conclude our dialogue with a ranking of the most critical things to do in the next month and next quarter. Together we identify the top item in each category that we both agree is seriously important. We keep the list small, short and concise. The risk here is to over-identify how much I can get done. My focus on priorities during the quarter is the key to getting things done with thoughtfulness. The accountability and respect for her ideas makes our check-ins a pleasure when I report my progress.
               It’s not too late to get started. You too can be even more creative and artistic this year than last. You have all of my best wishes for a successful 2015.