Saturday, May 13th, 10:00 am – 5:00 pm

You’re invited! Please make plans to attend The FrameSmith 2017 Spring Art Show on Saturday, May 13th from 10:00 am to 5:00 pm.

I will participate in person from 11am to 1pm. Come out; see you there!

The FrameSmith
Custom Framing and Art Since 1983
18208 Preston Rd., Suite D13
Dallas, Texas 75252

www.theframesmith.com

NE Corner Preston and Frankford next to Starbucks

972-312-1747

11th ANNUAL 125-MILE Visual Arts Exhibition

VISUAL ART SOCIETY of TEXAS
ending February 25, 2017

Gough Gallery
Patterson-Appleton Arts Center
400 E. Hickory St., Denton, TX, 76201

View the exhibit anytime before February 25, 2017. Julie has one painting included in this regional Texas exhibition of 30 paintings. The juror was Linda Ridgway.

North Haven Gardens Gallery Exhibit

November 6, 2017- January 20, 2017
North Haven Gardens
7700 Northaven Road | Dallas, Texas 75230 | 214.363.5316
Julie has a dozen paintings included in this exhibit.

See the online preview gallery of this exhibit at:
http://www.nhg.com/gallery/

Dallas Morning News Article

Freelance writer Mary Jacobs at Dallas Morning News interviews Julie about her career transition from engineering and business to art and oil painting in this profile. Mary captures some of Julie’s lessons learned along the path.

“For someone starting something new, my advice would be, do not focus on the outcome. Of course it’s not good. You just started. I learned to be patient with myself.”

READ THE ENTIRE ARTICLE at http://ireader.olivesoftware.com/Olive/iReader/DMN/SharedArticle.ashx?document=DMN%5C2016%5C07%5C12&article=Ar05201

Upcoming Exhibits and Dallas Morning News article

Julie’s mid-June exhibit will be Mercedes Benz Financial Services office in Fort Worth on Heritage Parkway; on view until April, 2017.

13650 Heritage Parkway Fort Worth, TX 76177. (800) 654-6222. http://mbfs-art.com/

Click on the EXHIBITS tab to see the art exhibits and public spaces where art works are being displayed.

Julie will be in two very special small group (3 artist) exhibits this July 18 – August 12 at Cedar Valley College in Lancaster, TX and in October at Eisemann Performance Center in Richardson, TX titled a Sense of Place.

The opening reception at Cedar Valley College for A Sense of Place exhibit is July 22, Friday, 5-7pm. Please join us!

Mary Jacobs, writer at the Dallas Morning News, writes a quarterly column about second careers called Second Wind. Julie will be profiled for her art career transition in the upcoming edition expected on July 12.

If you are member of the Dallas Women’s Foundation, please hold the date November 11 on your calendar. Julie’s art studio in the Dallas Design District will host an “open studio night and reception” with at least four women artists in studio.

YouTube Videos – Julie England channel

How does one get a movie on a YouTube channel? That was my goal this spring, after a suggestion was made in a critique by a visiting artist.

In collaboration with a digital artist, Julie has converted a long sequence of small paintings to two digital movies you can now view on YouTube.

JulieEnglandArt can be seen on Julie’s YouTube channel:
https://www.youtube.com/channel/UCQD7p4cUd-7GicKMdyYgBpg

My inspiration was the abstract gestures I witnessed in Helen Frankenthaler’s Abstract Expressionism. Next, I created two short digital movies from the artwork series. As I saw the thirty abstract images in the series, I realized it was like two personalities responding in their unique ways to Swan Lake II, each telling the other in their particular manner what mattered the most to them in their own voice. I also painted two, large-scale characters that evolved from my reaction in a series of artworks in response to Helen Frankenthaler’s Swan Lake II (see Extrovert and Introvert).

The painting-in-a-sequence process was very eye opening as I related to a an abstract expressionism masterpiece. The mark-making and limited palette added to the quality of the images. The ‘rule’ to relate each subsequent image to the prior added to the new creativity.

My painting is inspired by the energy of human nature and how people relate to their natural environment. My attraction to natural, organic imagery is complemented with a focus on the act of painting itself with emphasis on brush work and color.

Likewise, collaborating with a digital artist who specializes in coding art through his computer science perspective was beneficial. His ideas on how to present the art in a digital movie blended with my point of view was a positive experience.

If you like the digital videos, please let me know.

I have the beginnings of another movie art sequence where the subject will be abstract landscapes. I am excited about the format of digital art movies and the added dimension this brings to my creativity.

Can Saying No Lead to More Creativity?

I first heard of Kevin Ashton in the radio frequency identification industry long ago when I had a career in the semiconductor industry. And now that I am pursuing a creative path as an oil painter, I read with much interest his recent article titled: Creative People Say No.   As a nascent artist and oil painter working to understand the creative process and always feeling too busy, I thought I would pass along this jewel of wisdom about saying ‘no’. Let highlight three key take-aways. For Kevin Ashton’s article, see http://www.businessinsider.com/successful-creative-people-say-no-2015-1. “Creative People Say No” is an extract from Kevin Ashton’s new book, “How to Fly a Horse — The Secret History of Creation, Invention, and Discovery,”

Saying no to free up more time for your passionate work has always me a challenge for me. A Hungarian psychology professor performing research on famous creative people encountered many declines to his invitation and many people said “no.” For example, according to Ashton:

  • Management writer Peter Drucker: “One of the secrets of productivity (in which I believe whereas I do not believe in creativity) is to have a VERY BIG waste paper basket to take care of ALL invitations such as yours — productivity in my experience consists of NOT doing anything that helps the work of other people but to spend all one’s time on the work the Good Lord has fitted one to do, and to do well.”
    Secretary to novelist Saul Bellow: “Mr. Bellow informed me that he remains creative in the second half of life, at least in part, because he does not allow himself to be a part of other people’s ‘studies.’ ”
  • Photographer Richard Avedon: “Sorry — too little time left.”
  • I needed help saying no. About five years ago, I asked a very busy business executive to speak at a local event. She said no in a very polite manner through e-mail. She told me: “Thank you very much for reaching out. Unfortunately, for the foreseeable future, my days are already overcommitted with my existing travel and meeting schedule. In good conscience, I just cannot take on another commitment and give it the attention it deserves. I hope you will understand.” I kept her note and use portions of it often when I say ‘no’.

The second key point in Ashton’s article is that Time is the raw material of creation. Time over target matters: “the work of becoming expert through study and practice, the work of finding solutions to problems and problems with those solutions, the work of trial and error, the work of thinking and perfecting, the work of creating. Creating consumes. It is all day, every day. It knows neither weekends nor vacations. It is not when we feel like it. It is habit, compulsion, obsession, vocation. The common thread that links creators is how they spend their time. No matter what you read, no matter what they claim, nearly all creators spend nearly all their time on the work of creation. There are few overnight successes and many up-all-night successes.”

Perspiration and inspiration may have a lot to do with creativity; however, we need to have the time to do the work. Ashton reminds us “Saying “no” has more creative power than ideas, insights and talent combined. The math of time is simple: you have less than you think and need more than you know. We are not taught to say “no.” We are taught not to say “no.” “No” is rude. “No” is a rebuff, a rebuttal, a minor act of verbal violence. “No” is for drugs and strangers with candy.”

The big lesson here is the opportunity cost of not concentrating on your passionate, creative work. How much less creative work will be done because they are distracted on indirect tasks.  Time is the scarce resource for each of us. Our time is already demanded by many things. Daily mandatory life tasks like buying groceries, doing laundry, and family all need our attention and time. Being ‘on task’ means more to creative types who feel the pain of opportunities lost.

People who create dislike intensely the common question: How long did it take to you make that? Why is this question dreaded? Because all the days they have spent on their craft since they started led to this object of creativity. Their entire career led to this moment. It cannot be measured in hours.

Cultural conditioning and societal pressures have made us more likely to say ‘yes’ to requests for our time.  As Ashton observed: “No” makes us aloof, boring, impolite, unfriendly, selfish, anti-social, uncaring, lonely and an arsenal of other insults. But “no” is the button that keeps us on.
Learn to say no more often and spend more time on the work you love. The payoff will be more sustained creativity, a sense of fulfillment and more satisfaction with time spent.

2016 Upcoming Exhibits

Thank you for joining me on my art path. My art path includes studio practice, also education and exhibiting as well. In December and January I spent time preparing a portfolio and applying to the SMU Meadows School of Art, after receiving my Associates in Art degree from Brookhaven College in May, 2015. I was accepted into the SMU Meadows’ Bachelors of Fine Art program on January 11, 2016. Classes started shortly thereafter. This Spring I am enrolled in two SMU classes with Professor Mary Vernon including color theory and visual narrative. These classes include homework and intense sketchbook work using painting, drawing or collage. More studio time is needed on this painter’s calendar!
There’s a social side to painting that includes hosting studio visits and meeting with others who anticipate art in their future as they transition out of their corporate roles. This month, there were several discussions about the path, alternatives to getting started and art education resources in the Dallas metroplex.

 

January was also spent organizing and submitting proposals for two art exhibits in regional institutions. Happy to report that I will be in two very special small group (3 artist) month-long exhibits this year:
– in July at Cedar Valley College in Lancaster, TX and
– in October at Eisemann Performance Center in Richardson, TX.
So thankful for these opportunities. More info as we get closer to the dates and an invitation to the receptions will follow. It’s been a good start to an exciting year.

New Year; New Outlook

Reflecting on 2015, I am grateful for many positive and constructive growth experiences in my art work. There are teachers to thank and several milestones to be celebrated as well.

 

First and foremost, thank you to Prof. Murielle White, Brookhaven College (http://www.crisworley.com/murielle-white/)  and Prof. Mary Vernon, SMU (http://www.maryvernon.com/) for two outstanding Fall 2015 painting classes. You have seen the results of my efforts . Thanks to Suzanne Clark (http://www.suzannekelleyclark.com/) for your balanced feedback and critiques. I enjoyed being stretched and now I appreciate more nuances about color, creating space in a landscape and subtlety of grays.

 

Second, looking back I am grateful for the art fundamentals and the foundation I learned at Brookhaven College, from drawing, 2-D and 3-D design to printmaking and painting. In December, I submitted my portfolio and applied to be accepted into the SMU Meadows Fine Art (http://www.smu.edu/meadows)  four-year program as a transfer student from Brookhaven, after completing my Associates in Arts degree in May. On January 11, 2016 I was accepted for admission! I look forward to  continuing to study art in a four-year curriculum, pursue oil painting and stretch my own art expression.

 

Next, I am grateful to two women artists who invited me to share their leased art studio and have my first studio experience, outside my home or classroom on campus. What a thrill! What a breakthrough! In September, 2015, I decided to go it alone and lease my own 500 sq. ft. studio in the Dallas Design District, after a much appreciated introduction by one of my professors to the studio lease opportunity. Please come visit my Dallas studio in 2016! It’s a great place to work.

 

Last, and not least, I appreciate Ted Houston (http://www.tedhoustonart.com/), a former colleague at Texas Instruments and fellow student at Brookhaven College, who agreed to join me in two-person exhibits in public venues. It had been a goal of mine to get my art out into the public in 2015 in a small group show format. We had two exhibits in 2015 together. This year, 2016, we hope to again bring you a couple small group exhibits in outstanding locations.

 

It’s time to say good bye to 2015 and hello to many opportunities in 2016. Time to stretch my wings and explore the edges, without boundaries. Art destination travel is also on the docket including two trips to New York City, one to Santa Fe and Denver. This year my intention is to focus on landscapes and abstraction, building off the momentum from the end of 2015. Happy Trails and Happy Painting!

Please Join Us… December 3, 5-7pm

Art Open House Reception and Meet The Artists

 

You’re Invited to view works of art by local artists Julie England and Ted Houston

 

Thursday, December 3rd 2015 from 5:00pm – 7:00pm
Parker University School of Massage Therapy

 

                2560 Electronic Lane, Dallas, TX 75220

 

 Light beverages and snacks will be served.  Please join us!